Somewhat ironically the name of this exhibition begins with - Bijou - the archaic meaning being French for jewel, the works selected here most certainly are, while also being apt is its British definition: small and elegant. Many of the British artists represented here studied in Paris and were influenced by the French Avant Garde; Paule Vézelay, Stanley William Hayter, William Gear, Terry Frost, Henry Moore and Alan Davie. In contrast others remained in the UK exploring painting, printmaking and sculpture, these include; Bernard Meadows, Maurice Cockrill, John McLean, Prunella Clough, John Hoyland and John Hubbard. Nevertheless the influences from across the channel were constantly flowing over and shaping the art world.
A primary work in the exhibition is an early screen print “Grey Forms” 1935 by Vézelay. Vézelay, previously Marjorie Watson-Williams, changed her name when she moved to Paris in the 1920s, wanting to conceal gender and nationality to fit into the male dominated artistic circles. She made her first abstract work in 1928 and then worked purely in the abstract mode, inspired by cubism, surrealism and constructivism.
Henry Moore studied in Paris in the 1920s. Having seen Notre Dame’s gargoyles, architectural features which bear a strong resemblance to his, much later created “Animal Head” 1956. The magnificent bronze wall hung sculpture is one of eight patinated in green and brown. In contrast Bernard Meadows’ sculpture “Pointing Figure with Child '' is most angelic and precious, with a highly polished bronze surface.
The smallest and earliest work is a lyrical drawing “Horses and Figures” 1930, by Hayter. Hayter a printmaker and painter, studied in Paris founding an experimental workshop -Atelier 17. He also played a central role in the 20th-century revival of the print as an independent art form. As part of the Bijou British modern exhibition we are also pleased to offer a range of prints produced by artists which worked with Advanced Graphics during the 20th century. We hope you enjoy this small jewel of an exhibition celebrating some exceptional British artists who have helped to shape modern British abstract art.
Horses and Figures 1930
Pen and ink on paper
22.5 x 30.6cm
£1,600
Signed and dated 'Hayter 1930' lower right
Animal Head 1956 cast c. 1957-1962
Bronze 9/10
56 x 30 x 35cm
£90,000
Signed 'M' bottom left
Pointing Figure with Child 1971
Polished Bronze
22.6 x 27 x 33cm
Edition 2 of 6
£12,000
Monogrammed 'M' on base
Britain Grey Picture 1935
Silkscreen print
68 x 47cm paper size Edition: 150
£2,000
Signed and dated Paule Vézelay 76/150 lower right, lower left "Grey Picture" 1935
Untitled 1998
Collage
23.3 x 25.3cm
£2,400
Signed 'Clough' lower right
A gift to the present owner who printed her original prints
Untitled 1992
Lithographic Monoprint
94 x 75cm paper size
£5,200
Signed and dated 'John Hoy 92' lower left
Lace 1 1968
Trial Proof Lithograph
75 x 57cm
Edition: AP 1 of 8
£2,800
Signed verso Frost Estate
Lace 2 1971
Collage and screenprint
53 x 93.5cm
Edition: AP 19 of 100
£3,000
Signed and dated Terry Frost '71 (lower right), numbered 19/100 (lower left),
The Blue Deluge with Yellow Bridge 2003
Oil on canvas
80 x 100cm
£8,500
Signed, dated and inscribed 'Maurice Cockrill/2003/The Blue Deluge with Yellow Bridge' verso
Divided 1976
Oil on canvas
50 x 80cm
£8,500
Inscribed, Signed and dated 'Maurice Cockrill/2000/'Divided' ~79' verso
Standing Form 1953
Gouache, Watercolour, pencil on paper
22 x 14.6cm
£8,500
Signed and dated 'Sutherland 53' lower right
Cosmic Signals 2001
Screenprint
89 x 74 cm
Edition of 30 + 5 A.P.'s
£1,200
Signed and dated 'PP 1/3 Alan Davie 01'
Printed on Somerset UK Textured 300 GSM Printed and Published by Gresham Studio LTD.
Untitled 1988
Screenprint
37 x 81cm
Edition 100
£900
Signed and dated 'John Mclean 88' bottom right,
framed and glazed limited edition
Italian Series: Abstraction 1968
Oil on paper laid to canvas
53 x 58 cm
£4,600
Signed 'Hubbard 68' verso
Crosstown II 2013
Screenprint printed by Advanced Graphics
Edition size: 75
Image size: 28.5 x 43.75cm, Paper size: 45.75 x 60.5cm
£900
Signed lower right Irvin 13
Spiked Structure, Red Flash 1985
Oil on Canvas
127 x 71.1cm
£12,000
Signed and dated verso 'Gear July 85'
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